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Resources for Researchers

If you are seeking further information about infrared reflectography as a technique, or looking for comparative studies of an artist you may be interested in, please explore the references and links below. This page is intended as a growing resource, and if you would like to suggest additions, please email us at biblio@tsrimaging.com

General information on infrared imaging techniques

Saunders, D., Cupitt, J. ‘Elucidating Reflectograms by superimposing Infra-red and Colour Images’. National Gallery Technical Bulletin Vol 16, pp 61–65. National Gallery Technical Bulletin online

Verougstraete, Hélène; Janssens de Bisthoven, Colombe; Couvert, Jacqueline; Dubois, Anne  (Eds),
The quest for the original : underdrawing and technology in painting : symposium XVI, Bruges, September 21st, 22nd and 23rd, 2006 , Peeters, Leuven, Netherlands, 2009

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002 – see Introduction in particular

Albertini (Master of the Casole Fresco)

Dillian Gordon, Master of the Albertini (Master of the Casole Fresco), ‘The Virgin and Child with Six Angels’. National Gallery Catalogues, ‘The Italian Paintings before 1400’, London 2011, pp. 324-32. National Gallery catalogue online

Altdorfer

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002

Mark Leonard, Carole Namowicz and Anne Woollett, ‘Albrecht Altdorfer’s Crucifixion (Museum of Fine Arts, Budapest), in Studying Old Master Paintings Technology and Practice, National Gallery Technical Bulletin 30^th Anniversary Conference Postprints, ed. Marika Spring. Archetype Publications Ltd., 2011, pp.95-103

Bellini

Braham, A., Wyld, M., Plesters, J. ‘Bellini’s “The Blood of the Redeemer”‘. National Gallery Technical Bulletin Vol 2, pp 11–24. National Gallery Technical Bulletin online

Gianluca Poldi and Giovanni Carlo Federico Villa, ‘A new examination of Giovanni Bellini’s ‘Pesaro Altarpiece’: recent findings and comparisons with other works by Bellini’, in Studying Old Master Paintings Technology and Practice, National Gallery Technical Bulletin 30^th Anniversary Conference Postprints, ed. Marika Spring. Archetype Publications Ltd., 2011, pp. 28-36

Nicolaes Berchem

Silvia Castro et al., “Examinations of two 17th century Dutch paintings with respect to colour alteration and the greyish appearance of the paint layers”, Zeitschrift für Kunsttechnologie und Konservierung, Vol. 23, 2009, pp. 177-195.

Pedro Berruguete

G. Finaldi and C. Garrido eds., El Trazo Oculto: Dibujos Subyacentes en Pintura de los Siglos XV y XVI, Prado, Madrid, 2006

Boltraffio

Keith, L., Roy, A. ‘Giampietrino, Boltraffio, and the Influence of Leonardo’. National Gallery Technical Bulletin Vol 17, pp 4–19. National Gallery Technical Bulletin online

Hieronymous Bosch

G. Finaldi and C. Garrido eds., El Trazo Oculto: Dibujos Subyacentes en Pintura de los Siglos XV y XVI, Prado, Madrid, 2006

Jørgen Wadum and Mikkel  Scharff, ‘Tracing the Individual ‘Handwriting’ of Four 16^th Century Artists through their Underdrawing’, On the Trail of Bosch and Bruegel: Four Paintings United under Cross-Examination, ed. Erma Hermens, Statens Museum for Kunst and CATS, Archetype 2012, pp.59-84.

Botticelli

J. Dunkerton, ‘Osservazioni sulla tecnica delle opera di Sandro Botticelli alla National Gallery di Londra’, in Davide Gasparotto and Antonella Gigli (eds), ‘Il tondo di Botticelli a Piacenza’, Milan 2006, pp. 67–79

S. Korman, ‘A “St Francis” by Botticelli in the National Gallery’, ‘Apollo’, CLVIII, July 2003, pp. 42–9

G. Finaldi and C. Garrido eds., El Trazo Oculto: Dibujos Subyacentes en Pintura de los Siglos XV y XVI, Prado, Madrid, 2006

Bronzino

Metropolitan Museum website see Technical Notes and Images

Brueghel

Jørgen Wadum and Mikkel  Scharff, ‘Tracing the Individual ‘Handwriting’ of Four 16^th Century Artists through their Underdrawing’, On the Trail of Bosch and Bruegel: Four Paintings United under Cross-Examination, ed. Erma Hermens, Statens Museum for Kunst and CATS, Archetype 2012, pp.59-84.

Christina Currie and Dominique Allart ‘THE BRUEG(H)EL PHENOMENON: Paintings by Pieter Bruegel the Elder and Pieter Bruegel the Younger; With a Special Focus on Technique and Copying Practice’ KIK/IRPA, Scientia Artis series, 2011.

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002

Bruges Workshops

J. C. Wilson, ‘Workshop Patterns and the Production of Paintings in Sixteenth-Century Bruges’, in Burlington Magazine, CXXXII, 1990, pp.523-7

Caillebotte

Lewerenz, Katja, “Gustave Caillebottes Maltechnik und die Praxis der Freilichtmalerei”, Zeitschrift für Kunsttechnologie und Konservierung: ZKK, Vol. 22, No. 2, 2008, pp. 274-286

Campaña

* Richardson, Clare; Saunders, David and Spring, Marika, “Reconstructing altered colours by image processing: The conversion of the Magdalen attributed to Pedro Campaña”,  Zeitschrift für Kunsttechnologie und Konservierung, Vol. 15, No. 2, 2001, pp. 338-346

Robert Campin

G. Finaldi and C. Garrido eds., El Trazo Oculto: Dibujos Subyacentes en Pintura de los Siglos XV y XVI, Prado, Madrid, 2006

Caravaggio

Roberto Bellucci, Cecilia Frosinini and Luca Pezzati, ‘Caravaggio’s underdrawing: a ‘Quest for the Grail’, in Studying Old Master Paintings Technology and Practice, National Gallery Technical Bulletin 30^th Anniversary Conference Postprints, ed. Marika Spring. Archetype Publications Ltd., 2011, pp.118-124

Cézanne

Reissner, Elisabeth, “Ways of making: practice and innovation in Cézanne’s paintings in the National Gallery”, National Gallery technical bulletin, Vol. 29, 2008, pp. 4-30

Stephanie Buck, John House, Ernst Vegelin van Claerbergen and Barnaby Wright (eds), The Courtauld Cezannes, London, 2008

Aviva Burnstock, Charlotte Hale, Caroline Campbell, and Gabriella Macaro, ‘Cézanne’s Development of the Card Players’, Cézanne’s Card Players, eds. Nancy Ireson and Barnaby Wright, exh. cat., The Courtauld Gallery 2010, pp. 35-54

Coloured Underdrawings

R. Billinge, ‘The National Gallery-Leverhulme Infra-red Reflectography Project: An Overview’, in Colloque XI: dessin sous-jacent et technologie dans la peinture- Perspectives; Université Catholique de Louvain, 14-16 septembre 1995, 1997, pp.110-115

Corot

S. Herring, ‘Six Paintings by Corot in the National Gallery: Methods, Materials and Sources’, National Gallery Technical Bulletin, 30, 2009.

Kate Stonor, Sarah Herring and Hayley Tomlinson, ‘Further Observations On Corot’s Late Painting Technique’, In Artists’ Footsteps: The Reconstruction of Pigments and Paintings, eds. Lucy Wrapson, Jenny Rose, Rose Miller and Spike Bucklow, Archetype Publications, 2012, pp. 116-128.

Lucas Cranach the Elder

Cranach Digital Archive

G.Heydenreich, Lucas Cranach the Elder: Painting Materials, Techniques and Workshop Practice, Amsterdam University Press

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002

John de Critz the Elder

Edwrad Town, ‘Whilst he had his perfect sight’ – new information on John de Critz the Elder’, The Burlington Magazine, CLIV, July 2012, pp. 482-486

Carlo Crivelli

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002

Daddi

di Nepi, S., Roy, A., Billinge, R. ‘Bernardo Daddi’s “Coronation of the Virgin”: The Reunion of Two Long-Separated Panels’. National Gallery Technical Bulletin Vol 28, pp 4–25. National Gallery Technical Bulletin online

Drawings

Ambers, Janet; Higgitt, Catherine; Saunders, David (Eds.), Italian Renaissance drawings : technical examination and analysis, Archetype publications in association with The British Museum,  London, 2010
Chapters: Dry drawing media, Jenny Bescoby, Judith Rayner and Satoko Tanimoto; Inks and washes, Giovanni Verri, Satoko Tanimoto and Catherine Higgitt; Revealing stratigraphy, Giovanni Verri and Janet Ambers

Tanimoto, Satoko; Verri, Giovanni,  “A note on the examination of silverpoint drawings by near-infrared reflectography”,  Studies in conservation Vol. 54, No. 2, 2009

Duccio

Dillian Gordon, Duccio di Buoninsegna, ‘The Virgin and Child with Saint Dominic and Saint Aurea, and Patriarchs and Prophets. National Gallery Catalogues, The Italian Paintings before 1400’, London 2011, pp. 188–201. National Gallery research online

Dürer

Ackroyd, P., Foister, S., Spring, M., White, R., Billinge, R. ‘A Virgin and Child from the Workshop of Albrecht Dürer?’. National Gallery Technical Bulletin Vol 21, pp 28–42. National Gallery Technical Bulletin online

S. Foister, ‘Dürer and the Virgin in the Garden’, exh. cat., The National Gallery, London 2004, esp. pp. 24–8

Ernst, Max

Coddington, James; Siano, Suzanne, “Infrared imaging of twentieth-century works of art”, Tradition and innovation: advances in conservation. Contributions to the IIC Melbourne congress, 10-14 October 2000, IIC, London, 2000, pp.39-44

Jan van Eyck

Billinge, R., Campbell, L. ‘The Infra-red Reflectograms of Jan van Eyck’s Portrait of Giovanni(?) Arnolfini and his Wife Giovanna Cenami(?)’. National Gallery Technical Bulletin Vol 16, pp 47–60. National Gallery Technical Bulletin online

R. Billinge, ‘Examining Jan van Eyck’s Underdrawings’ in S. Foister, S. Jones and D. Cool, eds, ‘Investigating Jan van Eyck’, Turnhout 2000, pp. 80–96.

T. Ketelsen, I. Reiceh, O. Simon, and S. Merkel, ‘New information on Jan van Eyck’s portrait drawing in Dresden’, ‘The Burlington Magazine’, CXLVII, 2005, pp. 170–5.

Fabritius

Larry Keith, ‘Carel Fabritius’ ‘A View in Delft’: Some Observations on its Treatment and Display’, National Gallery Technical Bulletin Vol. 15, Ed. Ashok Roy, 1994, pp.54-63.Piero della Francesca

Roberto Bellucci and Cecilia Frosinini, ‘Piero della Francesca’s Process: Panel Painting Technique’, IIC Painting Techniques History, Materials and Studio Practice, Contributions to the Dublin Congress 7-11 September  1998, eds. Ashok Roy and Perry Smith, IIC 1998, pp.89-93.

Friedrich

J. Leighton, A. Reeve and A. Burnstock, ‘A “Winter Landscape” by Caspar David Friedrich’, ‘The National Gallery Technical Bulletin’ 13, 1989, pp. 44–60

Fernando Gallego

G. Finaldi and C. Garrido eds., El Trazo Oculto: Dibujos Subyacentes en Pintura de los Siglos XV y XVI, Prado, Madrid, 2006

Claire Barry, ‘Observations on workshop practice in fifteenth-century Castile: the altarpiece from the cathedral at Ciudad Rodrigo by Fernando Gallego and his workshop’, in Studying Old Master Paintings Technology and Practice, National Gallery Technical Bulletin 30^th Anniversary Conference Postprints, ed. Marika Spring. Archetype Publications Ltd., 2011, pp.80-88

Garofalo

Dunkerton, J., Penny, N., Spring, M. ‘The Technique of Garofalo’s Paintings at the National Gallery’. National Gallery Technical Bulletin Vol 23, pp 20–41. National Gallery Technical Bulletin online

Gauguin

Dahm, Kristi, “Paul Gauguin’s paintings on paper: infrared investigations and their implications for three works from the Art Institute of Chicago collection”, The Book and Paper Group Annual (2004), American Institute for Conservation of Historic and Artistic Works, Washington, D.C., vol. 23, 2005, pp. 13-19

Giampetrino

L. Keith and A. Roy, ‘Giampetrino, Boltraffio, and the Influence of Leonardo’, National Gallery Technical Bulletin, 17, 1996, pp. 4-19

Giorgione

Dunkerton, J., 2010. ‘Giorgione and not Giorgione: The Conservation History and Technical Examination of “Il Tramonto”’. National Gallery Technical Bulletin Vol 31, pp 42–63. National Gallery Technical Bulletin online

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002

J. Anderson, Giorgione: The Painter of Poetic Brevity, Paris and New York, 1997, pp.102ff

J. Dunkerton, ‘Developments in Colour and Texture in Venetian Painting of the Early 16^th Century’, in F. Ames-Lewis (ed.), New Interpretations of Venetian Renaissance Painting, London, 1994, pp.63-76

Gossaert

L. Campbell and J. Dunkerton, ‘A famous Gossaert rediscovered’, ‘The Burlington Magazine’ 138, 1996, pp. 164–73

Lorne Campbell, ‘Jean Gossart, A Young Princess (Dorothea of Denmark?)’ published online 2011, from ‘The Sixteenth Century Netherlandish Paintings with French Paintings before 1600’, London: forthcoming. National Gallery research online

Lorne Campbell, ‘Jean Gossart, A Man with a Rosary’ published online 2011, from ‘The Sixteenth Century Netherlandish Paintings with French Paintings before 1600’, London: forthcoming. National Gallery research online

Lorne Campbell, ‘Jean Gossart, A Man holding a Glove’ published online 2011, from ‘The Sixteenth Century Netherlandish Paintings with French Paintings before 1600’, London: forthcoming. National Gallery research online

Lorne Campbell, ‘Jean Gossart, ‘An Elderly Couple’ published online 2011, from ‘The Sixteenth Century Netherlandish Paintings with French Paintings before 1600’, London: forthcoming. National Gallery research online

Lorne Campbell, ‘Follower of Jean Gossart, The Magdalen’ published online 2011, from ‘The Sixteenth Century Netherlandish Paintings with French Paintings before 1600’, London: forthcoming. National Gallery research online

G. Finaldi and C. Garrido eds., El Trazo Oculto: Dibujos Subyacentes en Pintura de los Siglos XV y XVI, Prado, Madrid, 2006

Granacci

Charlotte Hale, Julie Arsanoglu and Silvia A. Centeno, ‘Granacci in the Metropolitan Museum of Art: aspects of evolving workshop practice’, in Studying Old Master Paintings Technology and Practice, National Gallery Technical Bulletin 30^th Anniversary Conference Postprints, ed. Marika Spring. Archetype Publications Ltd., 2011, pp.59-63

Jan Davidsz de Heem

Arie Wallert and Joris Dik, “The scientific examination of a seventeenth-century masterpiece”, Zeitschrift für Kunsttechnologie und Konservierung, Vol 21, 2007, pp.38-51

Holbein

Xanthe Brooke and David Crombie, Henry VIII Revealed: Holbein’s Portrait and Its Legacy (Walker Art Gallery, Liverpool), Paul Holberton Publishing, London, 2003 .

Susan Foister, Martin Wyld and Ashok Roy, ‘Hans Holbein’s ‘A Lady with a Squirrel and a Starling’’, National Gallery Technical Bulletin Vol. 15, Ed. Ashok Roy, 1994, pp.6-19.

Stephanie Dietz, Henning Autzen, Ursula Baumer, Patrick Dietemann, Irene Fiedler, Christopher Krekel, Anna Schönemann and Amelie Stange, ‘Studying the ‘Graue Passion’ by Hans Holbein the Elder’, in Studying Old Master Paintings Technology and Practice, National Gallery Technical Bulletin 30^th Anniversary Conference Postprints, ed. Marika Spring. Archetype Publications Ltd., 2011, pp.89-94

Jasper Johns

Coddington, James; Siano, Suzanne, “Infrared imaging of twentieth-century works of art”, Tradition and innovation: advances in conservation. Contributions to the IIC Melbourne congress, 10-14 October 2000, IIC, London, 2000, pp.39-44

Paul Klee

Jonathan Benington, ‘The rediscovery of Paul Klee’s ‘Small harbour scene’ (1919)’. The Burlington Magazine, September 2011, pp.579-582

Købke

Jørgen Wadum, Kasper Monrad and Mikkel Scharff, ‘Aspects of Christen Købke’s painting technique: from drawing via oil sketch to the final painting’, in Studying Old Master Paintings Technology and Practice, National Gallery Technical Bulletin 30^th Anniversary Conference Postprints, ed. Marika Spring. Archetype Publications Ltd., 2011, pp.216-221

Leiden School

Esther van Duijn, Jan Piet Filedt Kok, Abbie Vandivere, Arie Wallart and Margeet Wolters, ‘Developments in the underdrawing and painting techniques of the sixteenth-century Leiden School, in particular the workshops of Cornelis Engebrechtsz and Lucas van Leyden’, in Studying Old Master Paintings Technology and Practice, National Gallery Technical Bulletin 30^th Anniversary Conference Postprints, ed. Marika Spring. Archetype Publications Ltd., 2011, pp.104-110

Leonardo

Dunkerton, J. ‘Leonardo in Verrocchio’s Workshop: Re-examining the Technical Evidence’. National Gallery Technical Bulletin Vol 32, pp 4–31. National Gallery Technical Bulletin online

Keith, L., Roy, A., Morrison, R., Schade, P. ‘Leonardo da Vinci’s “Virgin of the Rocks”: Treatment, Technique and Display’. National Gallery Technical Bulletin Vol 32, pp 32–56. National Gallery Technical Bulletin online

Spring, M., Mazzotta, A., Roy, A., Billinge, R., Peggie, D. ‘Painting Practice in Milan in the 1490s: The Influence of Leonardo’. National Gallery Technical Bulletin Vol 32, pp 78–112. National Gallery Technical Bulletin online

Bruno Mottin, ‘Leonardo da Vinci’s the Virgin and Child with Saint Anne (Musée de Louvre, Paris): new infrared reflectography’, in Studying Old Master Paintings Technology and Practice, National Gallery Technical Bulletin 30^th Anniversary Conference Postprints, ed. Marika Spring. Archetype Publications Ltd., 2011, pp.65-71

Lucas van Leyden

Jan Pieter Filedt Kok, Underdrawing and Other Technical Aspects in the Paintings of Lucas van Leyden, Off-print from Lucas van Leyden Studies Nederlands Kuntsthistorisch Jaarboek 29 (1978), Haarlem, 1979, pp.1-84.

Stephan Lochner

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002

Lorenzo Lotto

Dunkerton, J., Penny, N., Roy, A. ‘Two Paintings by Lorenzo Lotto in the National Gallery’. National Gallery Technical Bulletin Vol 19, pp 52–63. National Gallery Technical Bulletin online

Master of the Story of the Griselda

Dunkerton, J., Christensen, C., Syson, L. ‘The Master of the Story of Griselda and Paintings for Sienese Palaces’. National Gallery Technical Bulletin Vol 27, pp 4–71. National Gallery Technical Bulletin online

Quinten Massys

Dunkerton, J. ‘The Technique and Restoration of “The Virgin and Child Enthroned, with Four Angels” by Quinten Massys’. National Gallery Technical Bulletin Vol 29, pp 60–75. National Gallery Technical Bulletin online

Roy, A. ‘The Technique of a “Tüchlein” by Quinten Massys’. National Gallery Technical Bulletin Vol 12, pp 36–43. National Gallery Technical Bulletin online

Hans Memling

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002

G. Finaldi and C. Garrido eds., El Trazo Oculto: Dibujos Subyacentes en Pintura de los Siglos XV y XVI, Prado, Madrid, 2006

Michelangelo

Ezio Buzzegoli and Roberto Bellucci ‘ Michelangelo’s ‘Doni Tondo’ investigated with non-invasive analystical techniques’, in Studying Old Master Paintings Technology and Practice, National Gallery Technical Bulletin 30^th Anniversary Conference Postprints, ed. Marika Spring. Archetype Publications Ltd., 2011, pp.52-58

M. Hirst and J. Dunkerton, Making and Meaning: The Young Michelangelo: The Artist in Rome, National Gallery Company, 1994, pp.90-4 and 109-11

Mierevelt

Anita Jansen  & Johanneke Verhave, ‘Michiel van Mierevelt – Copy master. Exploring the oeuvre of the Van Mierevelt workshop’ in International Conference in Copenhagen 21-22 May 2012, Copying, Replicating and Emulating Paintings in the 15th-18th Century

Charlotte Caspers, Johanneke Verhave and Margreet Wolters’, ‘Reconstructing Towards A Better Understanding: A Study of Missing Underdrawing in Van Mierevelt’s Portraits’, In Artists’ Footsteps: The Reconstruction of Pigments and Paintings, eds. Lucy Wrapson, Jenny Rose, Rose Miller and Spike Bucklow, Archetype Publications, 2012, pp.95-108.

Miro

Coddington, James; Siano, Suzanne, “Infrared imaging of twentieth-century works of art”, Tradition and innovation: advances in conservation. Contributions to the IIC Melbourne congress, 10-14 October 2000, IIC, London, 2000, pp.39-44

Modern Paintings

Coddington, James; Siano, Suzanne, “Infrared imaging of twentieth-century works of art”, Tradition and innovation: advances in conservation. Contributions to the IIC Melbourne congress, 10-14 October 2000, IIC, London, 2000, pp.39-44

Monticelli

* Stonor, Kate and Morrison, Rachel, ‘Monticelli: The Materials and Techniques of an Unfashionable Artist’, National Gallery Technical Bulletin, Vol. 33

Neroccio

Carol Christensen, Suzanne Quillen Lomax, Michael Palmer and Steve Wilcox, ‘Neroccio’s Virgin and Child with a Saint Anthony Abbott and Saint Sigismund at the National Gallery of Art, Washington, DC’, in Studying Old Master Paintings Technology and Practice, National Gallery Technical Bulletin 30^th Anniversary Conference Postprints, ed. Marika Spring. Archetype Publications Ltd., 2011, pp.21-27

Netherlandish

Lorne Campbell, David Bomford, Ashok Roy and Raymond White, ‘‘The Virgin and Child before a Firescreen’: History, Examination and Treatment’, National Gallery Technical Bulletin Vol. 15, Ed. Ashok Roy, 1994, pp.20-38.

Pacher

Dunkerton, J., Foister, S., Spring, M. ‘”The Virgin and Child Enthroned with Angels and Saints” attributed to Michael Pacher’. National Gallery Technical Bulletin Vol 21, pp 4–19. National Gallery Technical Bulletin online

Giovanni di Paolo

Elyse Klein, Eric Gordon, Karen French, ‘Stylistic, Technical and Material Developments in the Paintings of Giovanni di Paolo’, IIC Painting Techniques History, Materials and Studio Practice, Contributions to the Dublin Congress 7-11 September  1998, eds. Ashok Roy and Perry Smith, IIC 1998, pp. 82-88.

Peake

Woudhuysen-Keller, Renate; Thirkettle, Sally and McClure, Ian, “The examination and restoration of Henry, Prince of Wales on Horseback by Robert Peake”, The Bulletin of the Hamilton Kerr Institute No. 1, University of Cambridge, 1988, pp. 15-22

Perugino

Plazzotta, C., O’Malley, M., Roy, A., White, R., Wyld, M. ‘”The Madonna di Loreto”: An Altarpiece by Perugino for Santa Maria dei Servi, Perugia’. National Gallery Technical Bulletin Vol 27, pp 72–95. National Gallery Technical Bulletin online

Higgitt, C., Spring, M., Reeve, A., Syson, L. ‘Working with Perugino: The Technique of an Annunciation attributed to Giannicola di Paolo’. National Gallery Technical Bulletin Vol 27, 96–110. National Gallery Technical Bulletin online

Picasso

Infrared examination of Picasso’s Woman Ironing at the Guggenheim Museum, New York. Picasso’s Woman Ironing

Jackson Pollock

Coddington, James; Siano, Suzanne, “Infrared imaging of twentieth-century works of art”, Tradition and innovation: advances in conservation. Contributions to the IIC Melbourne congress, 10-14 October 2000, IIC, London, 2000, pp.39-44

Pontormo

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002

Pre-Raphaelites

Townsend, Joyce (Joyce H.); Ridge, Jacqueline; Hackney, Stephen, Pre-Raphaelite painting techniques / [edited] by Joyce Townsend, Jacqueline Ridge and Stephen Hackney, Tate Publishing, London, 2004

Jan Provost

G. Finaldi and C. Garrido eds., El Trazo Oculto: Dibujos Subyacentes en Pintura de los Siglos XV y XVI, Prado, Madrid, 2006

Raphael

Billinge, Rachel, “Recent study of Raphael’s early paintings in the National Gallery, London, with infrared reflectography“, Raphael’s painting technique: working practices before Rome: Proceedings of the Eu-ARTECH workshop,11/11/2004, Kermes quaderni,  2007, pp. 67-75

N. Penny, ‘Raphael’s “Madonna dei garofani” Rediscovered’, ‘The Burlington Magazine’ 134, no. 1067, Feb. 1992, pp. 67–81

Raphael Research Resource (online resource, supported by the Andrew W. Mellon Foundation)

A. Roy, ‘The Re-emergence of Raphael’s “Madonna of the Pinks”’, ‘Raphael’s Painting Technique: Working Practices Before Rome’ (Proceedings of the Eu-ARTECH workshop), eds A. Roy and M. Spring, Florence 2007, pp. 87–92

A. Roy, M. Spring and C. Plazzotta, ‘Raphael’s Early Work in the National Gallery: Paintings Before Rome’, ‘The National Gallery Technical Bulletin’ 25, 2004, pp. 4–35

Dunkerton, J., Penny, N. ‘The Infra-red Examination of Raphael’s “Garvagh Madonna”‘. National Gallery Technical Bulletin Vol 14, pp 6–21. National Gallery Technical Bulletin online

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002

G. Finaldi and C. Garrido eds., El Trazo Oculto: Dibujos Subyacentes en Pintura de los Siglos XV y XVI, Prado, Madrid, 2006

Renaissance paintings

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002

G. Finaldi and C. Garrido eds., El Trazo Oculto: Dibujos Subyacentes en Pintura de los Siglos XV y XVI, Prado, Madrid, 2006

Renoir

Ashok Roy, Rachel Billinge & Christopher Riopelle, ‘Renoir’s Umberellas Unfurled’, National Gallery Technical Bulletin, Vol 33, London 2012

Rembrandt

Wieseman, M., 2010. ‘Rembrandt’s Portrait(s) of Frederik Rihel’. National Gallery Technical Bulletin Vol 31, pp 96–111. National Gallery Technical Bulletin online

Rubens

Oliver, L., Healy, F., Roy, A., Billinge, R. ‘The Evolution of Rubens’s “Judgement of Paris” (NG194)’. National Gallery Technical Bulletin Vol 26, pp 4–22. National Gallery Technical Bulletin online

Andrea Del Sarto

G. Finaldi and C. Garrido eds., El Trazo Oculto: Dibujos Subyacentes en Pintura de los Siglos XV y XVI, Prado, Madrid, 2006

Sassetta

Billinge, R. ‘”Some Panels from Sassetta’s Sansepolcro Altarpiece” revisited’. National Gallery Technical Bulletin Vol 30, pp 8–25. National Gallery Technical Bulletin online

Seurat

* Kirby, J., Stonor, K., Roy, A., Burnstock, A., Grout, R., White, R. ‘Seurat’s Painting Practice: Theory, Development and Technology’, National Gallery Technical Bulletin, Vol. 24, pp 4–37. National Gallery Technical Bulletin online

Tiepolo

Larry Keith, ‘Giovanni Battista Tiepolo’s ‘Saints Maximus and Oswald’: Conservation and Examination’, National Gallery Technical Bulletin Vol. 15, Ed. Ashok Roy, 1994, pp.36-41.

Tintoretto

Dunkerton, J. ‘Tintoretto’s Underdrawing for “Saint George and the Dragon”‘. National Gallery Technical Bulletin Vol 28, pp 26–35. National Gallery Technical Bulletin online

Titian

Joannides, P., Dunkerton, J. ‘”A Boy with a Bird” in the National Gallery: Two Responses to a Titian Question’. National Gallery Technical Bulletin Vol 28, pp 36–57. National Gallery Technical Bulletin online

Cosimo Tura

Dunkerton, J. ‘Cosimo Tura as Painter and Draughtsman: The Cleaning and Examination of his “Saint Jerome”‘. National Gallery Technical Bulletin Vol 15, pp 42–53. National Gallery Technical Bulletin online

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002

Uccello

J. Dunkerton and A. Roy, ‘Uccello’s “Saint George and the Dragon”: Technical Evidence Re-evaluated’, ‘The National Gallery Technical Bulletin’ 19, 1998, pp. 26–30

D. Gordon, ‘National Gallery Catalogues. The Fifteenth Century Italian Paintings. Volume I’, London 2003, pp. 398–405

Van Aelst

G. Finaldi and C. Garrido eds., El Trazo Oculto: Dibujos Subyacentes en Pintura de los Siglos XV y XVI, Prado, Madrid, 2006

Van Bassen

Rüger, A., Billinge, R. ‘The Design Practices of the Dutch Architectural Painter Bartholomeus van Bassen’. National Gallery Technical Bulletin Vol 26, pp 23–42. National Gallery Technical Bulletin online

Van Dyck

Roy, A. ‘The National Gallery Van Dycks: Technique and Development’. National Gallery Technical Bulletin Vol 20, pp 50–83. National Gallery Technical Bulletin online

Aertgen van Leyden

Warêgne-Reyes, Carmen; Coenen, Hubert; Kockaert, Leopold; Vynckier, Jozef, “The triptych of Saint Agatha and Saint Apolline at Turnhout (Belgium). Iconographic and historical approach. Technical investigation and treatment”, Bulletin Institut Royal du Patrimoine Artistique/Koninklijk Instituut voor het Kunstpatrimonium, Vol. 20, 1984, pp. 43-69

 

Van Heemskerck

J. Dunkerton, Aviva Burnstock and Alistair Smith., ‘Two Wings of an Altarpiece by Martin van Heemskerck’, National Gallery Technical Bulletin, 12, 1988, pp.26-8

Van Scorel

M. Faries, ‘Underdrawings in the Workshop Production of Jan van Scorel: A Study with Infra-red Reflectography’, Scientific Examination of Early Netherlandish Painting, Nederlands Kunsthistorisch Jaarboek, 26, 1975, pp.102-4

 

Van Reymerswale

Ackroyd, P., Billinge, R., Campbell, L., Kirby, J. ‘The “Two Tax-Gatherers” by Marinus van Reymerswale: Original and Replica’. National Gallery Technical Bulletin Vol 24, pp 50–63. National Gallery Technical Bulletin online

D. Bomford ed., Art in the Making: Underdrawings in Renaissance Paintings, London 2002

Willem van de Velde the Elder

‘Underdrawing on the painting support: graphic techniques and transposition methods from the 15th to 17th centuries’ by Andreas Siejek and Kathrin Kirsch (‘Die Unterzeichnung auf dem Malgrund: Graphische Mittel und Übertragungsverfahren im 15-17. Jahrhundert’, in Kölner Beiträge zur Restaurierung und Konservierung von Kunst- und Kulturgut, 11, Anton Siegl, München, 2004, ICCROM

Goossen van der Weyden

Billinge, R., Campbell, L. ‘The Triptych of “Saint Catherine and the Philosophers” attributed to Goossen van der Weyden in Southampton City Art Gallery’. National Gallery Technical Bulletin Vol 24, pp 64–74. National Gallery Technical Bulletin online

Verrocchio

Dunkerton, J., Syson, L. 2010. ‘In Search of Verrocchio the Painter: The Cleaning and Examination of ‘”The Virgin and Child with Two Angels”’. National Gallery Technical Bulletin Vol 31, pp 4–41. National Gallery Technical Bulletin online

Dunkerton, J. ‘Leonardo in Verrocchio’s Workshop: Re-examining the Technical Evidence’. National Gallery Technical Bulletin Vol 32, pp 4–31. National Gallery Technical Bulletin online

Vuillard

* Robbins, Anne and Stonor, Kate, ‘Past, Present, Memories: Analysing Edouard Vuillard’s La Terrasse à Vasouy’, National Gallery Technical Bulletin, Vol. 33

Warhol

Coddington, James; Siano, Suzanne, “Infrared imaging of twentieth-century works of art”, Tradition and innovation: advances in conservation. Contributions to the IIC Melbourne congress, 10-14 October 2000, IIC, London, 2000, pp.39-44

West

Mark Aronson, Helen A. Cooper and Angus Trumble, ‘Benjamin West and the Venetian Secret’, in Studying Old Master Paintings Technology and Practice, National Gallery Technical Bulletin 30^th Anniversary Conference Postprints, ed. Marika Spring. Archetype Publications Ltd., 2011, pp.209-215